Ebook Free Paper Dreams: The Art And Artists Of Disney Storyboards, by John Canemaker

Ebook Free Paper Dreams: The Art And Artists Of Disney Storyboards, by John Canemaker

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Paper Dreams: The Art And Artists Of Disney Storyboards, by John Canemaker

Ebook Free Paper Dreams: The Art And Artists Of Disney Storyboards, by John Canemaker

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From Library Journal

Canemaker's second volume on Disney animation (his first was Before the Animation Begins, LJ 11/15/96) covers new territory. Focusing on the birth and progression of the storyboard method, the noted animator/historian explores both the history and the personalities of the Disney storyboard department. He takes readers from the early Disney days (when Walt created the storyboard to add depth and substance to the animated shorts the early studio produced) to today (when ever-changing teams of story specialists gather material and prepare sequence drawings before artists flesh out those Disney masterpieces). Along the way, Canemaker reveals the human effort required to bring an animated film to life and throws in juicy tidbits garnered from his interviews with animation pioneers. Lavish illustrations accompany the text. Recommended for larger public libraries and essential for collections in film and animation history.AKelli N. Perkins, Herrick P.L., Holland, MI Copyright 1999 Reed Business Information, Inc.

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Product details

Series: Disney Editions Deluxe

Hardcover: 288 pages

Publisher: Disney Editions; 2nd edition (October 23, 2006)

Language: English

ISBN-10: 0786863072

ISBN-13: 978-0786863075

Product Dimensions:

10.5 x 1.4 x 12.5 inches

Shipping Weight: 5.3 pounds

Average Customer Review:

4.8 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#349,820 in Books (See Top 100 in Books)

Historian John Canemaker takes a look at the lives and careers of the artists in the Story Department at the Disney Studio past and present. This volume starts out explaining how stories for the films were developed from the earliest days. Chief topic is how the storyboard process was invented, which has been used by both animation and live action studios since. Early on Walt insisted on using images as opposed to text when developing the stories for films.Individual story men are then discussed and how they worked with each other in the story department. Walt Disney is first and foremost acknowledged as the master storyteller, which his colleagues and historians all agree on. Chief among the story personnel profiled are Ted Sears, Webb Smith, Pinto Colvig, Roy Williams, T. Hee, Carl Barks, Homer Brightman, Harry Reeves and many more.Renowned storyteller Bill Peet has a chapter solely devoted to him.The section on Pinto Colvig gives some insight on why he left the studio for a few years.It's interesting that some of the artists that were profiled in "Before The Animation Begins" are profiled again here (i.e. David Hall . There is some overlap with the concept art and story sketches as some of the artists worked in both capacities. Like Canemaker's previous entry, this one ends with the story department in the present day (at the time of publication)Practically every page is packed with story sketches which are so captivating and full of vitality. There are even entire pages filled with storyboards. This is one of the few Disney art books that has lots of great images and great text.Hopefully this will be brought back in print.The Story volume of the Disney Archive series makes a good compliment to this volume.

 Paper Dreams is an oversize book about the storyboards and artists working for Walt Disney Studios. The author John Canemaker has provided great depth through his research and writing compared to the other book on storyboard that I have, Walt Disney Animation Studios The Archive Series: Story (Walt Disney Animation Archives).Published in 1999, the book takes a close look at the storytelling department of Disney, from where storyboards were created -- sketches on the floor of Webb Smith's office were pinned to the board for the first time. John Canemaker has loaded the book with lots of quotes from Walt Disney, the animators and story artists, providing insights into the storytelling process. The evolution of storyboards and their relevance are laid out to us, as each animated short gets progressively longer until full length movies were created.There are chapters on profiles of story artists and their work. The more famous ones include Bill Peet, Joe Ranft, Joe Grant, Chris Sanders, among many others. We're introduced to their personal style of storytelling, their characteristics and interaction with other artists. There are many interesting stories like how Walt would criticise storyboards so as to improve them, a process which was called "plussing", or how different artists would defend their boards against critiques from others.In addition to the commentary, the book's also filled with original storyboard scans from the library, photographs and paintings, all selected from their impressive archive from 1930s to the late 1990s.There's a lot to be learned from the book, highly recommended to animation fans, art students, Disney collectors and pop culture enthusiasts.(More pictures are available on my blog. Just visit my Amazon profile for the link.)

As my title says, this book is about the history of storyboard and not about it's craft. It is excellent, huge and with obscure information about how it developed until today.However, if you are an animator or a filmaker and want to learn about how to make a good storyboard, this is not the book at all. That is really the true message in this review, since I know a lot of people will look forward to it in this way.As a history book it is just great, showing early disney scripts from walt himself, and recalling early anecdotes about the craft in the studio

This book arrived in prestine condition. It is a Christmas gift for my husband, so I had to peek inside to ensure it was something he would want. Boy is he going to really enjoy this book. The hardcover is nice and makes a great impression. Thanks again for the fast shipping and great condition.

If the Disney American Animated Film has one stigma, is the belief that it is made for childern. Mr.Canemaker's book disproves that notion by recounting stories by those lucky few that got to meet Walt,work with him and put his "Dreams" on "Paper" before they were made a reality on film. We are privy in the world of Walt Disney and the people who put his ideas on paper only to have Walt think that they could be better than that.The book is filled with instances of Walt cursing-four letter words and all,when his Soryman ideas did not cut the mustard. Why should they since Walt "was his own best storyman." We get to meet the men that were up to par with Walt-T.Hee and Bill Peet. But these man could be considered Lucifer to Walt's Christian God-those who wish to be better than him or take his place would end in Hell, which in a sense they did. Finally, lets not forget the geniuses Walt himself dealt with-Salvador Dali and Orson Welles. If there was anyone that could top Disney himself ,it was Orson,as described by Walt Himself.

Too often in animation titles, the storyboard element is relegated to a minor footnote. This book presents a wonderful insight to the creative process of animation film making. Many animators and students collect resource material from feature films, and storyboard examples are rare and treasured items. As a storyboarder myself, I was in awe of the beauty and clarity of these works, many I was seeing for the first time. However, anybody with an interest in art or animation will enjoy this book. It is an amazing and definitive collection.

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Paper Dreams: The Art And Artists Of Disney Storyboards, by John Canemaker PDF

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Download Ebook The Kingmaker's Daughter (The Plantagenet and Tudor Novels), by Philippa Gregory

Download Ebook The Kingmaker's Daughter (The Plantagenet and Tudor Novels), by Philippa Gregory

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The Kingmaker's Daughter (The Plantagenet and Tudor Novels), by Philippa Gregory

Download Ebook The Kingmaker's Daughter (The Plantagenet and Tudor Novels), by Philippa Gregory

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Review

“Gregory returns with another sister act. The result: her best novel in years.” (USAToday.com)“The Kingmaker’s Daughter is Gregory in fine form. . . . The Cousins' War . . . provides a rich setting for drama with its endless plots and conniving courtiers.” (Associated Press)“Gregory ... always delivers the goods. Her latest novel wraps up her ‘cousins' war’ series of royal witches, philanderers and kingslayers with the story of King Richard III's wife, Anne Neville, who went from the marital bed of one royal prince to that of another king-to-be during this long family feud.” (New York Post)“From the queen of royal fiction comes a gripping 15th-century tale of the daughters of the man known as the ‘Kingmaker.'" (San Antonio Express-News)"Gorgeous fun." (New York Daily News)“Conspiracy and a fight to the death for love and power.” (Los Angeles Times)“Gregory is one of historical fiction’s superstars, and The Kingmaker’s Daughter shows why. . . . providing intelligent escape, a trip through time to a dangerous past.” (Historical Novels Review (Editor's Choice Review))“The bonds of sisterhood infuse Gregory’s latest. . . . The stakes are high as Anne and Isabel Neville, daughters of the earl of Warwick (‘The Kingmaker’), vie for their father’s favor and a chance at the throne. . . . . In addition to Gregory handling a complicated history, she convincingly details women’s lives in the 1400s and the competitive love between sisters.” (Publishers Weekly)“Gregory delivers another vivid and satisfying novel of court intrigue, revenge, and superstition. Gregory’s many fans as well as readers who enjoy lush, evocative writing, vividly drawn characters, and fascinating history told from a woman’s point of view will love her latest work.” (Library Journal)“It’s every man and woman for themselves in Gregory’s latest, which offers reliable royal entertainment." (Booklist)

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About the Author

Philippa Gregory is the author of many New York Times bestselling novels, including The Other Boleyn Girl, and is a recognized authority on women’s history. Many of her works have been adapted for the screen including The Other Boleyn Girl. Her most recent novel, The Last Tudor, is now in production for a television series. She graduated from the University of Sussex and received a PhD from the University of Edinburgh, where she is a Regent. She holds honorary degrees from Teesside University and the University of Sussex. She is a fellow of the Universities of Sussex and Cardiff and was awarded the 2016 Harrogate Festival Award for Contribution to Historical Fiction. She is an honorary research fellow at Birkbeck, University of London. She founded Gardens for the Gambia, a charity to dig wells in poor rural schools in The Gambia, and has provided nearly 200 wells. She welcomes visitors to her website PhilippaGregory.com.

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Product details

Series: The Plantagenet and Tudor Novels

Paperback: 464 pages

Publisher: Atria Books; Reprint edition (April 9, 2013)

Language: English

ISBN-10: 1451626088

ISBN-13: 978-1451626087

Product Dimensions:

5.2 x 1 x 8 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

894 customer reviews

Amazon Best Sellers Rank:

#91,342 in Books (See Top 100 in Books)

I used to regard Anne as a weak woman, sickly, and very submissive. I did wonder how she could possibly have allowed Richard to parade and favor his niece right in front of her, and now I understand. Once you really explore the emotions Anne probably felt in response to her life's events, her fate seems a natural consequence. Frustration, futility, and disenchantment are abound in this book- but not without heavy doses of hope and passion.

The Kingmaker's Daughter provides another viewpoint into the War of the Roses, this time via Richard Neville, Duke of Warwick's family. His two daughters, Isabel and Anne, were like many children of their time, used as political pawns to grasp power. The story follows the Duke's early fall from power when his puppet King Edward throws off his influence by jilting his arranged political marriage and instead marries Elizabeth Woodvile for love. Duke Richard then begins decades of espionage in an effort to obtain the throne via one of his daughters, with King Edward's brothers displaying varying levels of loyalty.After reading The White Queen, the story told from Elizabeth Woodville's perspective, it was interesting to read the same circumstances told again from Anne Neville's perspective. History requires a bit more filling in of blanks on Ms. Gregory's part for a meaty tale of the latter, but I did enjoy how her able storytelling made it possible to engender sympathy for both parties, though they were certainly competitors in the most vital sense. The novel keeps a good pace, and though it should not be used as a historical reference, as many details are changed or omitted to help with an engaging storyline, it was a riveting read. I highly recommending reading both novels, as one of the great pleasures I found was the sympathy I had for each character and their story.

WHAT I LIKED:What I liked the most was the really believable POV depicted throughout Anne Neville. The build up of her life and the experiences she had that lead her to be a Queen of England- it was well written, it was entertaining, and Anne Neville's view of history, especially around Richard her husband, is really refreshing.WHAT I DIDN'T LIKE:Anne Neville and Isabelle Neville. I loved seeing the world through Anne's eyes, but I could not bring myself to like her or her sister Isabelle. With every page, I found myself more annoyed or frustrated with their characters.Maybe that was Philippa Gregory's goal- to make them more frustrating and unlikable next to the White Queen & Princess. I don't really know, but I do think this is worth the read at the end of the day. I give it 3/5 stars instead of 4/5 because even though it was well done, I found the overall read of this book more exhausting than energizing.

Here's the thing. I love history. A lot. I love when Philippa Gregory novels. A lot. The fact that her books are historical novels makes me nearly giddy. I might love Gregory's novels to the point I almost hate them just a little bit, too. The Kingmaker's Daughter was no exception.The Kingmaker's Daughter is the story of Anne Neville and her road to becoming queen. It starts when she is 8 years old and ends when she is 28. She starts off as her father's pawn, a way to move higher in importance by marrying her off to the best offer. Her father uses her to try and win back his power over the king after King Edward's (of the York side) wife and her family steal his influence away. She is married to Prince Edward of the Lancaster side as a way to buy a tie to the kingship. After her husband dies and the Lancaster line is officially ended, she loses nearly all her potential power and influence.It is at this moment she starts to make choices for herself. She knows there are very few options to gain independence for herself, so she takes the next best road and marries someone she cares a great deal for, and eventually loves. Richard. I never doubted for a second that they came to love each other. To begin with, it almost feels as though the marriage is one of purpose. She wants to leave the house of her sister and brother-in-law, and Richard wants access to the land, wealth, and power her name brings. But by the end of the novel, there was love there.The princes in the tower are touched upon, and yet nothing is definitively said about their fate. I like that Gregory doesn't try to take a side. She keeps that mystery going and I appreciate that.In the past 3 novels, I had come to form an opinion of Anne Neville and it wasn't the greatest. Even though I saw her as a product of those around her, I wasn't overly fond of her character in the last three books. However, when it's finally her turn to tell the story, I fell in love with her and started to despise characters I had loved previously.This is what I love most about The Cousins' War series. In one novel, a character is painted as horrible, but the next makes him or her lovable. There isn't one "villain" you can root against. They are all good and bad. Gregory has taken the stories we read in history books and made them into people. I can't get enough of it.The Kingmaker's Daughter is yet another brilliant addition to The Cousins' War series and I'm hopelessly upset I have to wait another year to hear Elizabeth of York's story.

I found The Kingmaker's Daughter to be an interesting look into the War of the Roses, showing the same events explored in The Red Queen and The White Queen from yet another perspective. However, whereas I feel that The Red Queen was at times too introspective and heavy-handed with character-driven plot, The Kingmaker's daughter falls to the other extreme. In The Other Boleyn Girl and The Boleyn Inheritance, Gregory did a masterful job of writing characters whose motivations and loyalties were deeply conflicted, and unclear even to the characters themselves. In The Kingmaker's Daughter, loyalties are equally messy, but without the same introspective quality, the characters come off as inconsistent instead of conflicted. Anne often seemed to change her mind about things in the middle of conversations, and while these changes would make sense if given the proper context of years of loyalty to one person or another, without context they seem almost flighty.In short, I did enjoy learning more about other players in the War of the Roses, but wish we had gotten to see more of Gregory's thoughts of what might have been going on inside the characters' heads!

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